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ursodiol online At its heart, Chaplin's film is a mismatched love story in the vein of DW Griffiths' Broken Blossoms, made some 10 years earlier, but Chaplin knowingly modernises it, moving the location from the seedy docks of Limehouse to the bustle of the city centre, where Chaplin's vagrant falls for a blind flower-seller. Indeed, the whole film hinges in some way on the Little Tramp being outside time: Chaplin deliberately plays him as a relic, a figure of fun for the street-corner newspaper boys, yet at the same time self-aware. (Critic Andrew Sarris described the character as being a model of sophisticated self-containment ??? "his own Don Quixote and his own Sancho Panza").